Accelerationism is fascinating
Other accelerationists now distance themselves from Land. Grant, who teaches philosophy at the University of the West of England, says of him: “I try not to read his stuff. Folk [in the accelerationist movement] are embarrassed. They think he’s sounding like a thug. Anyone who’s an accelerationist, who’s reflective, does think: ‘How far is too far?’ But then again, even asking that question is the opposite of accelerationism.” Accelerationism is not about restraint.
Even its critic Benjamin Noys concedes that the movement has an allure. “Accelerate is a sexy word,” he says — not a common thing in philosophy. The determinedly transgressive artists Jake and Dinos Chapman are associates of the movement and longstanding Land collaborators. One of their frenzied, grotesque paintings is on the cover of his collected writings, Fanged Noumena, published in 2011, which contains some of accelerationism’s most darkly fascinating passages. Earlier this year, secondhand copies of the paperback, which is now being reprinted, were on sale on Amazon for £180.
